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BREAKING
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au Professor
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The professor
at work
The
professor is painting his gate.
As
the sun warms the ground
the
only slight sounds
are the swishes his brush-strokes
create.
It is early, some time before eight.
While
his wife slumbers on
and
unhelped by his son
the professor is painting his gate.
The
marking of papers must wait.
Though the act may inflame
his
detractors, who claim
the department is in quite a state
and the standard to which they translate
the
works of Hugo
is
appallingly low,
the professor is painting his gate.
His writings may well fascinate
but the proofs lie unread
by
the side of his bed
and his critics, still insatiate,
merely sharpen their pencils and wait—
while
the world remains vague
on
the life of d'Antraigues
the professor is painting his gate.
What becomes of the culture he taught?
Now
the philistine hordes
are
down-treading the boards
has the battle that so long was fought
now been lost? Has the thing become sport?
Let
his colleagues demur—
alors,
le professeur
est en train de peindre sa porte.
Some have said he may one day be great,
that
his restless esprit
courts a rare destiny,
but for now this appointment with fate
is postponed until some future date,
while
the name that lifts eyebrows
on
many French highbrows
is quietly painting his gate.
Now he stops, and his back becomes straight.
He steps back a pace
and a smile splits his face.
There is nobody near to ovate
but with pleasure quite commensurate
with achieving the peak
of palmes académiques
the
professor has finished his gate.
Written for Colin Duckworth during a stay in Parkville, Melbourne in December 1984. Colin had recently been given the award of Commandeur des ordre des palmes académiques for services to French culture. The gate in question opens from the professor's house onto a back alley very much like that shown in the photograph.
© Godfrey Rust 1984, godfrey@wordsout.co.uk. See here for permissions.